Bianchi (1957-1960)

The “Bianchi” (Whites) series (1957-1960) is introduced as a “musical” variation in the early screen printing map of Nuvolo’s works. Forcing the geometrical resistances of the predecessor “Scacchi” cycle, the painter has a dialogue with space as a totally free concept, reducing the insertion of silkscreen figures in the picture and expanding the empty background through titanium white. The shaded surface led to a balance of a deep spatial calculation and the randomness of the screen prints.

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