Aftermandelbrot (1989-1993)

Aftermandelbrot (1989-1993)

Nuvolo, Senza titolo (Aftermandelbrot; “A.M.(5)”), 1991, 15 battute serigrafiche su carta Rosaspina Fabriano, 64.5×48.5cm

Nuvolo, Senza titolo (Aftermandelbrot; “A.M.(13)”), 1991, 12 battute serigrafiche su carta Rosaspina Fabriano, 64.5×48 cm

Nuvolo, Senza titolo (Aftermandelbrot; “A.M.(15)”), 1992, 12 battute serigrafiche su carta Rosaspina Fabriano, 48.5×66 cm

Nuvolo, Senza titolo (Aftermandelbrot; “A.M.(19)”), 1992, 12 battute serigrafiche su carta Rosaspina Fabriano, 65×48 cm

Nuvolo, Senza titolo (Aftermandelbrot; “A.M.(24)”), 1992, 12 battute serigrafiche su carta Rosaspina Fabriano, 48.5×66 cm

Nuvolo, Senza titolo (Aftermandelbrot; “A.M.(E)”), 1989, 15 battute serigrafiche su carta F4 Fabriano, 37×27.5cm

ATERMANDELBROT (1989-1993)

Nuvolo has always thought and wanted to demonstrate with his work that what regulates nature is the incessant relationship between chaos and order, that the conquest of precision takes place through approximation and that there is no solution of continuity between the finite and the infinite; principles, these, he also shared with Oigroig and Modulari. The Aftermandelbrot (literally “after Mandelbrot” and the fractal sets), close a circle to show how close his work had come to those invisible laws that constituted the very stimulus of his research; Nuvolo decides to redesign new symmetrical works with the Mandelbrotian computer graphic method.

PRODUCTION PERIOD: 1989-1993

TECHNIQUE: silkscreen printing (limited run)

MATERIALS: nitrocellulose colour

SUPPORT: paper

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